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Film × Television

Where they connect.

Two libraries, one taste. This is where the film and television logs meet—the head-to-head averages, the actors who cross over, and the genres I rate differently on screen than in a series.

Use the filters to narrow both libraries at once. The tiles here don’t click through—each number blends both libraries—so for the reviews behind a visualization, head to the individual film or television stats pages above.

1,139 titles

Head to head

Films vs. television

852films logged
287seasons rated
2.95★film average
3.29★season average
+0.34★TV vs. film gap

My full film corpus against my rated TV seasons (the primary unit of television ratings).

Film vs. television

Genres — film vs. TV

  • Film
  • TV

Shared genres only (≥5 titles logged on each side). Each row is a genre’s film average and its TV average; the bar is the gap. Film = orange, TV = blue.

Crossover actors

Most logged

  1. Nicole Kidman (10f·2t)12
  2. Mark Ruffalo (9f·2t)11
  3. Bill Camp (6f·2t)8
  4. Nick Offerman (5f·2t)7
  5. Julio Torres (4f·2t)6
  6. Sunita Mani (4f·2t)6
  7. Hope Davis (3f·2t)5
  8. Peter Sarsgaard (3f·2t)5

Highest rated

  1. Julio Torres (4f·2t)3.44★
  2. Tom Hollander (2f·2t)3.39★
  3. Sunita Mani (4f·2t)3.33★
  4. Hope Davis (3f·2t)3.31★
  5. Mark Ruffalo (9f·2t)3.17★
  6. Sian Clifford (2f·2t)3.14★
  7. Nick Offerman (5f·2t)3.09★
  8. Bill Camp (6f·2t)3.09★

In ≥2 films and ≥2 shows. Only top-10-billed roles with at least three episodes for a show to count. The label carries each name’s film·TV split; highest-rated averages over everything logged.

Where it comes from

World cinema lean

+0.41★non-English vs. English
+0.12★non-US vs. US
23%international (non-US)

Pooled across both libraries—how non-English and non-US titles rate against domestic ones, and the international share of everything logged.

Languages — logged vs. rated

Most logged

  1. English927
  2. French24
  3. Japanese14
  4. Spanish13
  5. Norwegian6
  6. Italian5
  7. Korean4
  8. Danish4

Highest rated

  1. Japanese3.55★
  2. Korean3.43★
  3. Spanish3.41★
  4. French3.25★
  5. Danish3.05★
  6. Italian2.99★
  7. English2.94★
  8. Norwegian2.94★

Countries — logged vs. rated

Most logged

  1. United States792
  2. UK82
  3. Canada26
  4. France25
  5. Japan14
  6. Australia12
  7. Ireland12
  8. Spain9

Highest rated

  1. Japan3.47★
  2. South Korea3.43★
  3. Spain3.34★
  4. France3.33★
  5. Belgium3.10★
  6. Germany3.05★
  7. Denmark3.05★
  8. UK3.00★

Language × country

50language · country pairs
25languages
30countries

The joint view across both libraries: which languages pair with which countries (language leads).

The industry

By conglomerate — film vs. TV

LionsgateParamountSonyNetflixWBDNBCUDisneyIndie+
Titles by conglomerate, split film vs. TV
CategoryFilmTVTotal
Lionsgate24024
Paramount23225
Sony29029
Netflix04343
WBD373370
NBCU493382
Disney652691
Indie+59813611
  • Film
  • TV

Each title rolls up to the conglomerate that owns its studio (film) or network (TV).

When I watch

Film and television by month

JanFebMarAprMayJunJulAugSepOctNovDec
Films and television logged by month, two bars per month (film, television), each stacked by year
Month and medium2023202420252026Total
Jan · Film012181949
Jan · Television0124420
Feb · Film1323541109
Feb · Television0612624
Mar · Film034212378
Mar · Television089724
Apr · Film024191760
Apr · Television0291324
May · Film012172453
May · Television01381435
Jun · Film18342366
Jun · Television063615
Jul · Film469827
Jul · Television143917
Aug · Film524131052
Aug · Television055919
Sep · Film32471953
Sep · Television047920
Oct · Film253192195
Oct · Television0061622
Nov · Film104540095
Nov · Television0616123
Dec · Film1227680107
Dec · Television51912036
  • Film
  • Television

Shade marks the year—lighter 2023 to fuller 2026.

By weekday

MonTueWedThuFriSatSun
Films vs. seasons by weekday
CategoryFilmsSeasonsTotal
Mon15947206
Tue12840168
Wed11033143
Thu8550135
Fri9639135
Sat11030140
Sun15640196
  • Films
  • Seasons

Methodology

  • The same libraries the individual stats pages draw on—Letterboxd for film, Serializd for television—pooled onto one calendar and one 0.5–5★ scale.
  • Television ratings use season data (each show folded to the mean of its rated seasons), so film and TV sit on comparable footing rather than comparing a film to sparse overall show data.
  • “Highest rated” figures are Bayesian-shrunk—a thin sample is eased toward the overall average until enough ratings accumulate, so a lone high mark can’t outrank a consistently strong record.