Film × Television
Where they connect.
Two libraries, one taste. This is where the film and television logs meet—the head-to-head averages, the actors who cross over, and the genres I rate differently on screen than in a series.
Use the filters to narrow both libraries at once. The tiles here don’t click through—each number blends both libraries—so for the reviews behind a visualization, head to the individual film or television stats pages above.
Head to head
Films vs. television
My full film corpus against my rated TV seasons (the primary unit of television ratings).
Film vs. television
Genres — film vs. TV
- Film
- TV
Shared genres only (≥5 titles logged on each side). Each row is a genre’s film average and its TV average; the bar is the gap. Film = orange, TV = blue.
Crossover actors
Most logged
- 11
- 10
- 8
- 7
- 6
- 5
- 5
- 5
Highest rated
- 3.49★
- 3.43★
- 3.18★
- 3.13★
- 3.09★
- 3.08★
- 3.06★
- 3.02★
In ≥2 films and ≥2 shows. Only top-10-billed roles with at least three episodes for a show to count. The label carries each name’s film·TV split; highest-rated averages over everything logged.
Where it comes from
World cinema lean
Pooled across both libraries—how non-English and non-US titles rate against domestic ones, and the international share of everything logged.
Languages — logged vs. rated
Most logged
- 867
- 24
- 14
- 12
- 6
- 5
- 4
- 3
Highest rated
- 3.55★
- 3.33★
- 3.24★
- 3.04★
- 2.98★
- 2.94★
- 2.92★
Countries — logged vs. rated
Most logged
- 737
- 80
- 25
- 24
- 14
- 12
- 12
- 9
Highest rated
- 3.46★
- 3.34★
- 3.32★
- 3.10★
- 3.04★
- 3.00★
- 2.93★
- 2.90★
Language × country
The joint view across both libraries: which languages pair with which countries (language leads).
The industry
By conglomerate — film vs. TV
| Category | Film | TV | Total |
|---|---|---|---|
| Apple | 7 | 16 | 23 |
| Paramount | 23 | 2 | 25 |
| Sony | 27 | 0 | 27 |
| Netflix | 0 | 40 | 40 |
| WBD | 33 | 31 | 64 |
| NBCU | 48 | 29 | 77 |
| Disney | 60 | 24 | 84 |
| Indie+ | 566 | 12 | 578 |
- Film
- TV
Each title rolls up to the conglomerate that owns its studio (film) or network (TV).
When I watch
Film and television by month
| Month and medium | 2023 | 2024 | 2025 | 2026 | Total |
|---|---|---|---|---|---|
| Jan · Film | 0 | 12 | 18 | 19 | 49 |
| Jan · Television | 0 | 13 | 4 | 4 | 21 |
| Feb · Film | 1 | 32 | 35 | 41 | 109 |
| Feb · Television | 0 | 6 | 12 | 6 | 24 |
| Mar · Film | 0 | 34 | 21 | 23 | 78 |
| Mar · Television | 0 | 8 | 9 | 7 | 24 |
| Apr · Film | 0 | 24 | 19 | 17 | 60 |
| Apr · Television | 0 | 2 | 9 | 13 | 24 |
| May · Film | 0 | 12 | 17 | 24 | 53 |
| May · Television | 0 | 13 | 8 | 14 | 35 |
| Jun · Film | 1 | 8 | 34 | 23 | 66 |
| Jun · Television | 0 | 6 | 2 | 6 | 14 |
| Jul · Film | 4 | 6 | 9 | 8 | 27 |
| Jul · Television | 1 | 4 | 3 | 9 | 17 |
| Aug · Film | 5 | 24 | 13 | 3 | 45 |
| Aug · Television | 0 | 5 | 5 | 2 | 12 |
| Sep · Film | 3 | 24 | 7 | 0 | 34 |
| Sep · Television | 0 | 4 | 7 | 0 | 11 |
| Oct · Film | 2 | 53 | 19 | 0 | 74 |
| Oct · Television | 0 | 0 | 6 | 0 | 6 |
| Nov · Film | 10 | 45 | 40 | 0 | 95 |
| Nov · Television | 0 | 6 | 16 | 0 | 22 |
| Dec · Film | 12 | 27 | 68 | 0 | 107 |
| Dec · Television | 5 | 19 | 12 | 0 | 36 |
- Film
- Television
Shade marks the year—lighter 2023 to fuller 2026.
By weekday
| Category | Films | Seasons | Total |
|---|---|---|---|
| Mon | 150 | 44 | 194 |
| Tue | 117 | 37 | 154 |
| Wed | 105 | 28 | 133 |
| Thu | 81 | 43 | 124 |
| Fri | 93 | 35 | 128 |
| Sat | 105 | 25 | 130 |
| Sun | 146 | 34 | 180 |
- Films
- Seasons
Methodology
- The same libraries the individual stats pages draw on—Letterboxd for film, Serializd for television—pooled onto one calendar and one 0.5–5★ scale.
- Television ratings use season data (each show folded to the mean of its rated seasons), so film and TV sit on comparable footing rather than comparing a film to sparse overall show data.
- “Highest rated” figures are Bayesian-shrunk—a thin sample is eased toward the overall average until enough ratings accumulate, so a lone high mark can’t outrank a consistently strong record.